A photojournalist working for the LA Times was
fired April 1 immediately after his editors discovered that he had
combined two of his Iraqi photographs into one to "improve" the
composition.If you look at the above images you can see he took the top two and used them to create the bottom images that is visually striking.
The widely published image, of an armed British soldier and Iraqi
civilians under hostile fire in Basra seems to show the soldier
gesturing at the civilians – urging them to seek cover – as a standing
man holding a young child in his arms seems to look at the soldier
imploringly.
Not surprisingly, it ran Page One, large and above the fold, in the
Times, and across all six front-page columns of the Hartford Courant,
which, like the LA Times, is a Tribune Company property.
But the picture is a fake – a computer-generated amalgam of two different photographs, made one after the other.
A 20-year veteran of the news business, Brian Walski was confronted by his editors, confessed, and accepted his summary punishment. He
called his action a "complete breakdown in judgment" that was caused in
part by the stress of his assignment. [It should be noted, though, that
Walski did not just push the wrong button and send the wrong picture in
the exhausting heat of the moment. He had to consciously manipulate his
two digital pictures in Photoshop – an action requiring both skill and
intent. He had to create the separate, faked, image, and – again with
intent – transmit it to his editors, saying nothing about the
alteration.]
That fine line between fact and fiction in photojournalism is what really interests me. I think it is clear that although the photograph is striking it didn't occur in real life that moment never took place and the photographer lied.
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